The Gas Imaginary, solo exhibition at the Gladstone Regional Art Gallery and Museum

I will exhibit my collaborative exhibition The Gas Imaginary at GRAGM from July 2 – August 13, 2016 with an official launch on June 25, 2016 at 6pm.

This short video discusses the research and concepting behind this longer duree artistic work on unconventional gas extraction. The specific work in this showing, ‘THE GAS IMAGINARY, Broken norms, unconventional extraction, drawings and other collaborative acts’ 2016 was produced in collaboration with PALACE Architects (Valle Medina and Benjamin Reynolds) and artist Rodrigo Hernandez. Film material produced by Louise O’Reilly.

“Despite traversing World Heritage Protected and UNESCO-listed terrain, the LNG developments and dredging of the Gladstone Harbour were made possible through legal innovations and special economic zonings. Environmental Impact Assessments of the infrastructure itself have since been proven to have lacked ‘critical information’ on groundwater and well locations, while the process of approval has been subjected to a 2015 Federal Senate Inquiry.

The artist would especially like to thank and pay respects to Gooreng Gooreng Elders Jackie and Lindsay Johnson and Juliri Ingra for their time, generosity and commitment to culture, and Cheryl Watson of the Gladstone Conservation Council during the research phase.”

For further information: The Gas Imaginary, Gladstone

Brittle Land, an artist book on Alexandra Navratil.

Alexandra Navratil’s Brittle Land artist book

I edited, and contributed a poem to Alexandra Navratil’s artist book Brittle Land, launched at Dan Gunn gallery, Berlin in June 2016.

This book is comprised of stills from Alexandra Navratil’s works ‘Silbersee’ (2015) and ‘Resurrections’ (2014), along with essays by Paul Feigelfeld and Keston Sutherland, plus a poem by editor Rachel O’Reilly.

Taking the former Agfa-ORWO photographic film factory in Wolfen, Germany, as a point of departure, it divulges the interdependent histories of photographic emulsion, gelatin, labour, exploitation, exhaustion, chemical contamination, and slow violence. For Navratil, film reflects the ongoing technological development from the late 19th century until now, a product inextricably linked to the plastics industry that developed simultaneously with it, and to today’s widespread digitisation.

Design by Roger Willems and published by Roma Publications and Dan Gunn, Berlin.

For further information on the publication: Brittle Land
For further information on the artist: Alexandra Navratil

Publisher: Roma Publications
ISBN: 9789491843594
Idea Books Order Code: 16200