The Gas Imaginary in The Jerusalem Show VIII ‘Before and After Origins’

For the eighth edition of The Jerusalem Show, curated by Vivian Ziherl, Al Ma’mal Foundation presents ‘Before and After Origins’ as part of Qalandiya International 2016 – This Sea Is Mine.

See the full program: Before and After Origins Program

My series on unconventional gas extraction, The Gas Imaginary, is presented in collaboration with Valle Medina and Benjamin Reynolds from PA/LA/CE Architects and artist Rodrigo Hernandez.

The Gas Imaginary is an artistic research project incorporating poetry, photomedia
documentation, archi-poetic diagrams and essayistic labours exploring the aesthetic languages, mechanical ideology, speculative economics, and technocultural patterning surrounding the large-scale install of ‘unconventional’ gas extraction. Through this technology and industry, indebted state and national governments cause disenfranchised rural but increasingly urban populations to speculate on their own health and futures: through compensatory leasing arrangements, temporary industry employment and privatized infrastructure delivery and sponsorship aimed at the social licensing of investment in environmental injustice and dispossessions from common bioheritage.

I will also participate in a panel discussion, ‘Poetics and Power, In Translation’ on Wednesday 19 October at 18:00 at Garage Coffee Shop & BAR, Al Rajaa Street, Ramallah, Palestine.

This discussion event features poetry reading, a lecture and a public editing workshop that seeks to grasp the power of language in the governance of land, property and peoples. The event departs from the many contributions to Jerusalem Show VIII that prominently feature language. These include the prison writings of Syrian/Golan poet Yasser Khanger, drawings by Rachel O’Reilly that diagram the social economies of mineral extraction politics in Australia, and a legal contract devised by Ramallah-based artist Yazan Khalili. The event will take place in Arabic and English, with translation foregrounded as a crucial issue in itself, and is in collaboration with the Educational Bookshop (Jerusalem) and Garage Cafe.

For more information: Poetics and Power – In Translation

Brittle Land, an artist book on Alexandra Navratil.

Alexandra Navratil’s Brittle Land artist book

I edited, and contributed a poem to Alexandra Navratil’s artist book Brittle Land, launched at Dan Gunn gallery, Berlin in June 2016.

This book is comprised of stills from Alexandra Navratil’s works ‘Silbersee’ (2015) and ‘Resurrections’ (2014), along with essays by Paul Feigelfeld and Keston Sutherland, plus a poem by editor Rachel O’Reilly.

Taking the former Agfa-ORWO photographic film factory in Wolfen, Germany, as a point of departure, it divulges the interdependent histories of photographic emulsion, gelatin, labour, exploitation, exhaustion, chemical contamination, and slow violence. For Navratil, film reflects the ongoing technological development from the late 19th century until now, a product inextricably linked to the plastics industry that developed simultaneously with it, and to today’s widespread digitisation.

Design by Roger Willems and published by Roma Publications and Dan Gunn, Berlin.

For further information on the publication: Brittle Land
For further information on the artist: Alexandra Navratil

Publisher: Roma Publications
ISBN: 9789491843594
Idea Books Order Code: 16200

Gas Imaginary at Encountering Australia: European Australian Studies Conference, Prato 2014

Abstract: The Gas Imaginary is an artistic research project incorporating poetry, photomedia
documentation, archi-poetic diagrams and essayistic labours exploring the aesthetic languages, mechanical ideology, speculative economics, and technocultural patterning surrounding the large-scale install of ‘unconventional’ gas extraction. Through this technology and industry, indebted state and national governments cause disenfranchised rural but increasingly urban populations to speculate on their own health and futures: through compensatory leasing arrangements, temporary industry employment and privatized infrastructure delivery and sponsorship aimed at the social licensing of investment in environmental injustice and dispossessions from common bioheritage.

virtuosity_of_Fracking

In this paper I will work through the main organizing indices and analytics of the project, which also structure the narrativity of the animated script (in-progress) that I will screen for the conference alongside installation images. This artistic research draws on the writer’s own genealogical connection to the industrial harbour town of Gladstone, Central Queensland, and to the eco- and labour politics of a city which has an ongoing and prominent, but critically under-documented role in the export of Queensland’s mineral wealth. To performatively ‘exhibit’ this story is to both concretize and allegorize certain ‘executive’ and psychically distanciated urban/e) investments in a very specific extraction practice, amidst boomtown ethoi and technocratically managed non-encounters with the environmental injustices that this corporate technology in-volves.

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