On Neutrality

Performance Lecture – On Neutrality. Between Non-Aligned Movement(s) and Neoliberal Curatorial Economies

Jelena, Vlidi and I were invited to Savvy Contemporary, by the wonderful curators Brigitta Isabella and Renan Laru-an as part of their exhibition ‘From Bandung to Berlin: If all of the moons aligned’. This was the second adapted performance lecture of On Neutrality: Between Non-Aligned Movement(s) and Neoliberal Curatorial Economies.


As part of ‘From Bandung to Berlin: If all of the moons aligned’
At Savvy Contemporary, Berlin-Wedding on October 22, 2016

The lecture-performance On Neutrality deals with the juxtapolitical concept of ‘neutrality’ or ‘neutralisation’ in terms of its use in political and aesthetical position-taking within different ‘international relations,’ especially as a response to discrepancies of power. In contrast to the moral minimalist concept of neutrality as it is mobilized in liberal governmentalities, historically and today, across art and politics, the project considers the rich variegated recent history of situated, politicised forms of political neutrality concepts, which stemmed from the active positioning of non-aligned and ‘third world countries’ gaining independence during the Cold War era and re-claiming neutrality as a politics of de-colonisation, independence, peace and non-alignment with the powerful world empires of the time… This politicised history of neutrality concepts will be juxtaposed with the waves of depoliticising neutrality, including curatorial neutralisations of politics, which, aided and abetted by the humanitarian rhetorics of contemporary art, persist in attenuating institutional anxiety and agonistic possibilities of production in contexts of re-colonisation by multinational corporations.

The project On Neutrality was first presented by Jelena Vesić and Rachel O ’Reilly at Museum of History of Yugoslavia, Belgrade in 2014 as part of the research and exhibition Travelling Communiqué. The lecture coincides with the launch of the book by Jerić, O’Reilly and Vesić titled: On Neutrality, The letter from Melos, Museum of Contemporary Art, Belgrade, 2016 (Edition: Non Aligned Modernity; English and Serbian language)

 

 

Brittle Land, an artist book on Alexandra Navratil.

Alexandra Navratil’s Brittle Land artist book

I edited, and contributed a poem to Alexandra Navratil’s artist book Brittle Land, launched at Dan Gunn gallery, Berlin in June 2016.

This book is comprised of stills from Alexandra Navratil’s works ‘Silbersee’ (2015) and ‘Resurrections’ (2014), along with essays by Paul Feigelfeld and Keston Sutherland, plus a poem by editor Rachel O’Reilly.

Taking the former Agfa-ORWO photographic film factory in Wolfen, Germany, as a point of departure, it divulges the interdependent histories of photographic emulsion, gelatin, labour, exploitation, exhaustion, chemical contamination, and slow violence. For Navratil, film reflects the ongoing technological development from the late 19th century until now, a product inextricably linked to the plastics industry that developed simultaneously with it, and to today’s widespread digitisation.

Design by Roger Willems and published by Roma Publications and Dan Gunn, Berlin.

For further information on the publication: Brittle Land
For further information on the artist: Alexandra Navratil

Publisher: Roma Publications
ISBN: 9789491843594
Idea Books Order Code: 16200